There are countless possibilities, but here’s a quick roundup of some useful things that I’ve seen users do with Subprojects so far. You’ll also find actions for ‘Insert new subproject’, ‘Move tracks to subproject’, and ‘Move Items to subproject’, so you can incorporate Subprojects into your macros. As these options are available in Reaper’s Actions list, you can assign them to a keyboard shortcut or toolbar. If you need to hear your Subproject in isolation, disable ‘Run background projects’. If you want to hear the Subproject in the context of any other media on the parent, tick the combination of ‘Synchronise any parent projects on playback’ and ‘Run background projects’. Right-clicking on a project tab will open up this menu, which allows you to control how the parent project behaves during Subproject playback.Ī few options, accessed by right-clicking any project tab, determine how the Subproject interacts with its parent. If the project already has an RPP-PROX file it should just appear on the timeline otherwise, Reaper will open the project in a new tab and render one for you. You’ll be asked if you wish to open the project, open it in a new tab, or ‘Insert project as media item’. To use an existing project as a Subproject, drag the RPP file from Reaper’s media explorer, the OS X Finder or Windows Explorer. In this scenario, the new Subproject is automatically created in the parent project’s folder. You can also fold multiple tracks down to create a new Subproject: select the tracks, right-click with your cursor over the track panel, and select ‘Move tracks to new subproject’. These set the boundaries of the Subproject in the parent project, and define the area that’s rendered when you close/save the tab. Note the two markers, ‘=START’ and ‘=END’. Double-clicking the new Subproject opens it in a new tab. Click Save, and a new empty Subproject will be placed at the cursor position on the selected track. You’ll be asked to specify a save location (a subfolder of the parent project keeps things tidy) and choose a project name. Position the edit cursor where you wish to place your Subproject and select New Subproject from the Insert menu. Of course, it means waiting for a render each time you alter and save, but thankfully, there’s an option to defer the render, which can save some time if you’re a habitual Ctrl-S person like I am! Simply right–click on a Subproject tab and tick ‘Defer rendering of subprojects’. This approach enables much better performance and more editing flexibility than a real-time version would. Reaper’s media explorer recognises RPP-PROX files, so you can browse and audition Subprojects just like audio files. Instead, each time that you save a Subproject, Reaper performs a project render and saves the result as an RPP-PROX file, alongside the RPP project file. It’s important to note that Subprojects aren’t real-time nested projects. You can even place Subprojects within Subprojects, opening up Inception-like nesting possibilities! This creates new workflow options for album mastering, film composition, sound design, drum editing and more besides. This allows you to use Reaper project files on your timeline just like any other media item. Reaper v5.11 introduced a powerful project ‘nesting’ facility called Subprojects. Reaper 5.11’s new Subprojects facility opens up entirely new ways of working. Subprojects allow you to perform as much editing to a multitrack recording as you like, while retaining easy access to the underlying session. A drastically re-edited drum recording, with its Subproject source open in a secondary tab.
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